Writing

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• Cycle Cycle Cycle - Penguin Productions in partnership with the Seattle Outdoor Theater Festival and Artists at the Center, 2024 and Eugene O’Neill Theater Center Young Playwrights Festival Semi-Finalist, 2025
• Two People Wanting to Hook Up, Talking - Mercer Island High School, 2023
• Full Mailbox - Seattle Symphony, 2023 and Penguin Productions, 2022
• Rushed No More - Penguin Productions, 2021

• Where are Seattle's stages for teen artists and leaders? - Aug. 14, 2025
• Joseph Keckler: Train With No Midnight @ On the Boards - Nov. 23, 2022
• Swimming While Drowning @ ArtsWest - Oct. 14, 2022
• What the Constitution Means to Me @ Seattle Rep - Oct. 10, 2022
• 4 brand-new YA novels, reviewed by Seattle-area teens - May 10, 2022
• 7 young people in the Seattle area write about what Ruth Bader Ginsburg means to them - Oct. 1, 2020

• Talking About It Plainly With Debra Ann Byrd - Dec. 27, 2022
• The Journey of Courage to "Choir Boy" - Sep. 6, 2022
• Village Theatre's "Mamma Mia!" Is Conventional, but Empowering - June 16, 2022
• The Jaws-Dropping Story Behind Seattle Rep's "Bruce" - May 26, 2022
• All the World’s a Song in Village Theatre’s “Songs for a New World” - Jan. 7, 2022
• Seattle Opera’s “La Bohème” is a Touching Spectacle for McCaw Hall’s Returning Audiences - Oct. 19, 2021
• In Kids We Trust - July 22, 2021

• Oh, the Places You Could Go - May 17, 2023
• Don't Worry, Ma - Nov. 22, 2022

• A high school staging of 'Fiddler' takes on a 'whole new meaning' after Oct. 7 - May 21, 2024

• 5 Takes on Hit Man - Sep. 20, 2024
• It Felt Good to Take Over - Aug. 6, 2024
• Summer Editorial - June 20, 2024
• April Connections - April 16, 2024
• New Styles Falling Upon Us - Oct. 17, 2023
• 5 Takes on the Barbie Movie - Aug. 28, 2023
• "Sweeney Todd" is a Color-Conscious Triumph - June 27, 2023
• The Delicate Magic of "Into the Woods" -  Feb. 28, 2023
• Celebrating the Venues We Love This February - Feb. 13, 2023
• Six Takes on "Christmas Bloody Christmas" - Feb. 6, 2023
• The Holidays Are a Time for Traditions, and Breaking Them - Dec. 4, 2022
• Windows and Mirrors Across the Seattle Art Scene - Sep. 10, 2022
• Six Takes on The Sea Beast - Sep. 4, 2022
• miku, and the gods. is a Stunning Spoken Through Musical - Aug. 4, 2022
• The Price of Selling Kabul - July 21, 2022
• Don't Pigeonhole Children's Theater - July 11, 2022
• Learning From The Inside Outtakes - July 11, 2022
• You Nervous? - March 31, 2022
• Speak of the Devil and He is Schur to Appear - March 24, 2022
• The Monsters Under America’s Bed Have Come Out to Play - March 1, 2022
• 2021 in Stand-Up: A Retrospective on the Introspective - Feb. 16, 2022
• The Delightful Poppycock of See How They Run - Feb. 9, 2022
• Zach Stone Should’ve Been Famous - Jan. 28, 2022
• We’ve Battled Monsters Before, But This Time, It Feels Even Fresher - Jan. 13, 2022
• Nod When You’ve Got It - March 31, 2021
• You’ve Come To The Right Place - Feb. 24, 2021
• Twisted Flicks: Jet City Conquers the Pandemic - Jan. 8, 2021
• A NFFTY Artist Feature - Oct. 1, 2020

• The Lost Art of Flirting in Class - Feb. 2025 Issue
• Reflection on MIHS Social Groups - Nov. 26, 2024
• Election Season in the Classroom - Oct. 22, 2024
• Out Loud, "Turtles" Loses Its Voice - June 4, 2024
• MIHS Teachers Need to Respect Students' Time - Feb. 26, 2024
• Mean Girls Keeps its Crown - Feb. 2024 Issue
• The Monetized Classroom - Oct. 2023 Issue
• Asteroid City is Masterfully Communal - Sep. 2023 Issue
• Broken Clock for a Broken Town - March 29, 2023
• Study Guide Black Market - Dec. 2022 Issue
• Elf: Sleigh or Neigh? - Dec. 2022 Issue
• Do Students Have an Ethical Duty to Do Well in School? - Oct. 2022 Issue
• Vocab Challenge: This Makes Me Want to Kill Myself - Oct. 2022 Issue
• Race to Be Human Breaks Our Bubble - Oct. 2022 Issue
• In Conversation with Theatermaker Madeline Sayet - Oct. 14, 2022
• Masks Are Not Metaphors - Sep. 2022 Issue
• "Minions: The Rise of Gru" is a Despicable Cash Grab - July 22, 2022
• Superintendent Colosky Reflects On Her Time With MISD - June 13, 2022
• Stop Glamorizing Military Recruitment At MIHS - May 20, 2022
• “The Batman” Fell Flat, Man - April 28, 2022
• Student Perspectives: The Curtain Opens on MIHS Drama’s 2022 Playwriting Project - April 21, 2022
• Award Show Review: The 94th Annual Oscars - April 4, 2022
• Unity Week: Islanders Share Their Thoughts - March 23, 2022
• Inclusivity Wins in Unified Basketball Game - Feb. 7, 2022
• The Odyssey: A Long and Arduous Journey - Dec. 1, 2021

You can find some of my work online (if you look hard enough). Maybe I'll be brave enough to link it one day...

• Lu Flannery Outstanding Journalist Award - Washington Journalism Education Association, 2025
• First Place: Israel or Jewish-related stories by students in professional publications, news and features - Jewish Scholastic Press Awards, 2025
• Braman Family Writing Award - Mercer Island Community Scholarship, 2025

"No one works harder than Kyle. No one cares more about our end product. Kyle displays professionalism, patience, and enthusiasm in every personal interaction, making him a center of gravity in our newsroom. He creates strong connections, pulling our newsroom together to do our best work. When he talks, everyone listens." - Greg Smiley, Adviser (The MIHS Islander)

“Kyle has shown himself to be a consistently gracious leader and an excellent collaborator. Though he’s never afraid to share his own bold ideas, he is also skilled at listening to his peers and always brings an open-minded approach to problem-solving.” - Mariko Smithashima, Former Programs Director (TeenTix)

"Kyle goes out of his way to warmly and personally engage as many of the writers as he can, intentionally deepening the community of support he works to build in all of his communications and editorial processes. He cares not only about the quality of work he can guide others in producing, but also about the quality of experience writers have under his leadership. He garners the same excitement and respect from his peers that he offers to each of them." - Donovan Olsen, Programs Manager (TeenTix)

"I've done a lot of interviews and you actively captured the nuance of a lot of the issues better than any reporter I've spoken to." - Madeline Sayet, Playwright/Performer

"I’ve been reading all of the reviews. I have to admit yours was my favorite. Kyle, you picked up on some of the show’s smaller details and you considered intention along with execution—a testimony both to personal insight and good reporting. You realized the goal was to tell a Black man’s story without a trauma narrative. That was extremely important to me. I’m so happy the right eyes recognized it. Also, what a way you have with words. Your prose made me want to watch my own play again." - Christian St. Croix, Playwright